1. How does your Lighting Design fit in with the Style that is used in the design? Is it important that it does? Why or why not?
My lighting design fits in with the style that is used in this design because it uses lights that are mostly warm and realistic. It also has some pink/magenta lights for the romantic parts of my play. The lights that I used all have purposes relating to lighting the scene in a realistic way. There aren't any lights like ones that are used in scary scenes. It is important that it does because if my lights corresponded the style that I was using, then my play probably wouldn't be as good as it could be.
2. How does your lighting plan fit with the Compositional Elements and Principles that were used in the set?
My lighting design fits in with the compositional elements and principles because I had a symetric balance in my set as well as my lighting design. I also tried to make sure that people from all points of views could see my play in an aesthetically pleasing way. I think that my set design might have some amounts of harmony and I believe my lighting design had harmony but only to some extent.
3. Does your plan make sense? Is your lighting design something that you or another person could produce, just from your plan? Why or why not? If not, what would you need to change?
My lighting design is something that another person and I could produce if I just practiced working with lights. This is because I don't have too much expirence with working on lights. My lighting design is something that is fairly simple. Hence, it isn't that hard nor is it complicated. All we would really need to know is the position of the lights and what effects is has.
4. What inspiration did you take from the script to help you prepare for your lighting design? What did you take from the set?
I took the inspiration of a coat/suitcase hanger from the script. The rest of the ideas I got from looking up pullman's car which I had gotten from the play. I didn't really do much to the set. I might have not showed a few items like the doors that I would have set up as well as the coat hanger but besides that there wasn't much I didn't show in my lighting design.
5. Did your set limit your lighting design in any way?
Since I had minimal amounts of set pieces, I did not have much to light up. The set pieces were also all in the centre so I didn't have a lot of opportunities to light the stage up and have a lot of variation in the colors. The set didn't really have any colors that it could get light up by except for pink or yellow.
6. What did you want your lighting design to do to support the story, the action on stage, and the set? Were you successful with this? Why or why not?
I wanted the lighting design to make the romantic parts of my play more romantic and for the rest of the play, I just wanted my set to be illuminated so that the audience could see everything happening. I also had some of my lights focus where there were set pieces. I think that I was successful with this.
My lighting design fits in with the style that is used in this design because it uses lights that are mostly warm and realistic. It also has some pink/magenta lights for the romantic parts of my play. The lights that I used all have purposes relating to lighting the scene in a realistic way. There aren't any lights like ones that are used in scary scenes. It is important that it does because if my lights corresponded the style that I was using, then my play probably wouldn't be as good as it could be.
2. How does your lighting plan fit with the Compositional Elements and Principles that were used in the set?
My lighting design fits in with the compositional elements and principles because I had a symetric balance in my set as well as my lighting design. I also tried to make sure that people from all points of views could see my play in an aesthetically pleasing way. I think that my set design might have some amounts of harmony and I believe my lighting design had harmony but only to some extent.
3. Does your plan make sense? Is your lighting design something that you or another person could produce, just from your plan? Why or why not? If not, what would you need to change?
My lighting design is something that another person and I could produce if I just practiced working with lights. This is because I don't have too much expirence with working on lights. My lighting design is something that is fairly simple. Hence, it isn't that hard nor is it complicated. All we would really need to know is the position of the lights and what effects is has.
4. What inspiration did you take from the script to help you prepare for your lighting design? What did you take from the set?
I took the inspiration of a coat/suitcase hanger from the script. The rest of the ideas I got from looking up pullman's car which I had gotten from the play. I didn't really do much to the set. I might have not showed a few items like the doors that I would have set up as well as the coat hanger but besides that there wasn't much I didn't show in my lighting design.
5. Did your set limit your lighting design in any way?
Since I had minimal amounts of set pieces, I did not have much to light up. The set pieces were also all in the centre so I didn't have a lot of opportunities to light the stage up and have a lot of variation in the colors. The set didn't really have any colors that it could get light up by except for pink or yellow.
6. What did you want your lighting design to do to support the story, the action on stage, and the set? Were you successful with this? Why or why not?
I wanted the lighting design to make the romantic parts of my play more romantic and for the rest of the play, I just wanted my set to be illuminated so that the audience could see everything happening. I also had some of my lights focus where there were set pieces. I think that I was successful with this.